INTERVIEW WITH STEVE MARTINI

   AUTHOR'S WEBSITE:  http://www.stevemartini.com/

       JANUARY 9, 2003

From all the books you have written, do you have a favorite?

As to a favorite among the novels I have written there are several rather that simply one.   "The Simeon Chamber" beside the fact that it is a fine story, having been written without a contract or a publisher being my first published work will always stand out in my mind.  "Compelling Evidence" the story that launched the Paul Madriani series I tend to favor for its humor and the crafting of character.  Two other books outside the series "Critical Mass"  written before 9-11 spelling out the risks we have ignored for years from the NBC (nuclear,  biologic and chemical) weapons of mass destruction, and "The List" a thriller-parody of the  Publishing industry are among my favorites.

At what point in time did you realize that writing was "the thing for you"?

I knew that I possessed a yearning to write early in my career.  I had spent nearly a decade as a journalist before and after becoming a lawyer.  It had given me a certain therapeutic pleasure to strike the keys on a typewriter and later a computer and to convey a story to others, whether it was reportorial as to the political or legal events of the moment or grounded in research as a feature piece. Though some who took exception to my reporting might disagree, I did not engage in creative or fiction writing until many years later. I was in my early forties when I undertook to start my first novel which became "The Simeon Chamber".

What advice would you give to someone interested in becoming a writer?

As to advice to others wishing to become writers, the answer is simple; write.  You have to be persistent  in your self-criticism, develop an ear for dialogue and narrative and be willing to toss material that doesn't work and start again.  The real answer is to rewrite until you have honed your work to a fine edge.  Do not  try to sell material until in your honest opinion it looks and sounds as good as what is at the upper end of the  Marketplace already on  sale in bookstores. Read others who are published, particularly for their strengths.  If you're trying to craft hardedged on the sidewalk crime, read Elmore Leonard for his dialogue.  Also read well crafted screen plays,  Chinatown" and anything by Quinton Tarantino. What you will gain if you are good are glimmers of technique. It will also help perfect an ear for what is good and what is not.  In the end it is much better both for your ego and for your  prospects of being published, if you yourself reject the imperfections of that manuscript and rework them than to have the script rejected by an editor.

What is the name of your favorite mystery movie?

My favorite mystery movie, again I hate to have to name a single favorite.  I'll give you several.  "Body Heat", 
"L.A. Confidential" , "China Town"; Classics  "The Big Sleep", "The Maltese Falcon", "The Glass Key".

What other authors do you enjoy reading?

As to authors of mystery I enjoy reading John D. MacDonald.  Most of my leisure reading involves non-fiction, history and biography.  At present I am reading several books re-reading Carl Sandburg's Lincoln, "The Prairie Years and The War Years" as well as "D-Day with the Screaming Eagles" by George Koskimaki.  I find that reading anything about Lincoln that is well written and well researched to possess a near spiritual quality because of the subject matter. Certainly this is true of Sandburg. Lincoln was far and away one of the most unique members of our species ever to inhabit the planet.

What other types of jobs have you had?

Past Jobs. Where do I start?  As a kid I did gardening for pocket change in Southern California.  I had six or seven clients on weekends and after school.  I graduated from that work in a tool shop on Las Tunas Blvd. In Temple City.  I repaired Skill Saws, drills and pneumatic hammers under the tutelage of one of the best people I ever knew.  His name was Jim, he was paraplegic and dragged himself from his work bench to the public counter using crutches and braces to deal with crusty contractors demanding that the tools they were then delivering be repaired yesterday.  Jim had been a glider pilot in the Army during World War II. He never told anyone how he'd lost the use of his legs, but I think we all knew.

In the summers during college at the University of California at Santa Cruz I worked with a city crew for the Parks Dept of the City of San Gabriel, hauling hoses, mowing lawns and raking leaves.  After college and a stint on active duty as an Army medic in the reserves at Tigerland, Ft. Polk Louisiana and Ft. Sam Houston in San Antonio, Texas I secured a job as a newspaper reporter for the L.A. Daily Journal, a legal newspaper in Los Angeles covering a beat in Central L.A. On weekends I did military reserve duty at L.A. County General Hospital, sometimes on the jail ward.  This was the late 60's. I remember a felon with five bullet holes in him dragging a bed half way across the ward after another medic before we subdued him.  This was the late 1960's.  After eighteen months my publisher at the paper made me the bureau chief of a one-man news bureau in the Capital in Sacramento, and in July 1970 I moved north.  I attended night law school three nights a week at the University of the Pacific's McGeorge School of Law while I worked forty hours a week for the paper covering the state legislature, the appellate courts, and the governor's office in Sacramento. On weekends I attended reserve meetings once a month and in the summers I did medical duty at places like Ft. Ord, and the tank training tracks at Ft. Irwin in the Mohave near Death Valley. I also worked at Letterman General Hospital.  During Vietnam while it wasn't combat, it was the remnants from it. These were places where you dealt with a lot of blood and broken bodies, entire wards of kids on Striker frames paralyzed from the neck down because a bullet the diameter of a dime severed their spinal cord. We had compound arm fractures with bones through the skin and seven soldiers killed in a helicopter training accident at Ft. Irwin.  Burned flesh has as smell you never forget, and no, it's not like Napalm in the morning. All of it is seared in that place in my brain from which I draw my stories.

Probably the least eventful period of my life was the seventeen years during which I practiced law, both in private practice and for public agencies, though two of the three lawyers in the small firm where I worked died violent deaths, one suicide and the other murdered by gunshot in his office by an angry husband in a divorce case.  I have practiced in  both civil and criminal courts and spent many years practicing administrative law for a number of  public agencies.

Is there anyone, in particular, who influenced you?

We are all influenced by the people we bump up against.  If there is a single person who has made my writing possible it is my wife Leah  She listens to what I write.  There are times that she hears it so many times that she can commit portions to memory never having read it.

What led you to write mysteries?

  Actually the Publisher will tell you that I write "Thrillers"  "General Fiction".  In fact most of my books are who-dun-its, but the mystery genre is so crowded that many publishers try to break out new writers but placing
them in the "Thriller" category.  What brought me to writing fiction was the fact that I could not practice law and continue writing journalism on the side.  There wasn't enough time to do justice to both careers.  I decided to
practice law, because I had a family and it paid better.  I decided to turn to fiction because without a contract I could do it on my own time table without reference to a news deadline.  I came to enjoy it.

Do you read reviews of your books?

I can deal with reviews.  The secret is never to accept any of them entirely, good or bad. They are the editorials of the publishing industry; one person's opinion.  Besides anyone who takes this stuff that seriously needs to get a life.

How would you like to be remembered?

As the oldest writer of fiction in the history of the world.  It's the only way I will ever catch up with
Elmore Leonard in the number of books published.

What do you believe is the highlight of your career so far?

Staying alive and staying healthy.  After all that's  the first requirement for success in any field.  As for
thrills, getting my first book published and being told that my second novel "Compelling Evidence" was in a heated auction between the two major book clubs as a main selection will do.

Do you write on a fixed schedule?

When I am not answering interrogatories.

How do you come up with plots?

If I could figure that one out I'd bottle it, sell it and retire.  I get ideas from newspapers, magazines, and life.
Then you play the great "What if" game.  What if this happened or that happened?  If you can get other good creative people to play the game with you it will undoubtedly improve the plot.  Try a great "What if" party
sometime, that is if you're not afraid of sharing the yet to germinate seeds of your storyline.

How do you spend your free time?

When I get some I try to spend it with my family as they have paid much of the price for my success.  As for hobbies I like photography, and am a fan of digital photography.  I like shooting, big bore pistols, 45 autos and 45 long Colts as well as rifles, military stuff from 1917 Springfields and 303 Enfields to more modern AR 15's.  Mostly I like doing my own hand loads for accuracy on an old single stage press I bought in 1970 from Simms Hardware in Sacramento.

Do you have a message you would like to give all your readers out there?

"Keep writing - keep rewriting." As Alan Rickman the great Dr. Lazarus told the geeks in "Galaxy Quest"  "never give up."

                                                 ABOUT THE AUTHOR

Steve Martini was born in San Francisco and grew up in the Bay Area and Southern California. An honors graduate of the University of California at Santa Cruz, Martini's first career was in journalism. He worked as a newspaper reporter in Los Angeles and as a correspondent at the California State Capitol in Sacramento, specializing in legal issues, before gaining his law degree from the University of the Pacific's McGeorge School of Law. In 1974 he entered private law practice in California where he appeared in both state and federal courts. During his law career he worked as a legislative representative for the State Bar of California , served as special counsel to the California Victims of Violent Crimes Program, and was an administrative law judge and supervising hearing officer.
In 1984, Martini turned his talents to fiction. COMPELLING EVIDENCE, the novel that introduced attorney Paul Madriani, was published by Putnam in 1992. A national bestseller, that novel earned Martini a critical and popular following.

New York Times bestsellers:

  • PRIME WITNESS (1993)
  • UNDUE INFLUENCE (1994)
  • THE JUDGE (1996)
  • THE SIMEON CHAMBER, (1987)
  • THE LIST (1997)
  • CRITICAL MASS (1998)
  • THE ATTORNEY (1999)
  • THE JURY (2001)

Steve Martini lives on the West Coast. His newest book, THE ARRAIGNMENT , is now available in hardcover. He is already at work on his next novel.